tag:blogger.com,1999:blog-16812912.post115344082093185589..comments2023-10-30T05:56:44.438-07:00Comments on flickerfit: Aeshetics of Resistance cont.kfd313http://www.blogger.com/profile/01639339748894956092noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-16812912.post-1155772936574132062006-08-16T17:02:00.000-07:002006-08-16T17:02:00.000-07:00I'm still rather hesitant, I admit. I was hanging ...I'm still rather hesitant, I admit. I was hanging out with a German friend last week and she was claiming that Germans aren't as much into writing huge, long novels any longer. I brought up Aesthetics of Resistance, and she said, "That's not a novel."Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-16812912.post-1153764899271246502006-07-24T11:14:00.000-07:002006-07-24T11:14:00.000-07:00It pretty much continues like this, sans paragraph...It pretty much continues like this, sans paragraph or chapter breaks, for 3 volumes. But if you mean the sort of didactic tone and the dense, go nowhere passages, it does actually have a story-line.kfd313https://www.blogger.com/profile/01639339748894956092noreply@blogger.comtag:blogger.com,1999:blog-16812912.post-1153726157323788802006-07-24T00:29:00.000-07:002006-07-24T00:29:00.000-07:00Wow. I love Musil, Broch, Grass, Bachmann, Bernhar...Wow. I love Musil, Broch, Grass, Bachmann, Bernhard, Krasznahorkai, and all of those folks, but this looks like rough going. Is this passage typical or more dense than the rest?Anonymousnoreply@blogger.com